AMPARO VILLALOBOS
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AMPARO IS AN ARTIST WORKING IN IATSE & DGC ..
ABOUT
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SCENIC ART - Theatre
2016, STRATFORD FESTIVAL | AVON THEATRE; STRATFORD, ON. PAINTED SHOW CURTAIN FOR “A LITTLE NIGHT MUSIC”, ACRYLIC ON HEAVY-WEIGHT COTTON DUCK CANVAS WITH A POLYURETHANE TOP COAT. SCENIC ARTIST. PRODUCTION DESIGNER: DEBRA HANSON, ARTISTIC DIRECTOR: ANTONI CIMOLINO.
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2011, SHAW FESTIVAL | ROYAL GEORGE THEATRE; NIAGARA-ON-THE-LAKE, ON. PAINTED STAGE FLOOR FOR "ON THE ROCKS", FEATURING A LARGE-SCALE HAND RENDERED/DRAWN MOTH IMAGE, LAYERED OVER A DISTRESSED WOOD-GRAIN SURFACE; SCALED TO READ CLEARLY FROM THE HOUSE. ACRYLIC SCENIC MEDIUMS, GLAZES, CONTÉ/CHARCOAL BLACKS, AND SHELLAC ON MASONITE PANELS. SCENIC ARTIST. SET DESIGNER: CHRISTINA PODDUBIUK. ARTISTIC DIRECTOR: JACKIE MAXWELL.
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2006, STRATFORD FESTIVAL | FESTIVAL THEATRE (MAIN STAGE); STRATFORD, ON. SCENIC PAINTING/RENDERING OF NICOLAS POUSSIN’S “HOLY FAMILY ON THE STEPS” (18TH-CENTURY CLASSICISM) FOR BOUCICAULT'S PRODUCTION OF “LONDON ASSURANCE”, ACRYLIC ON CANVAS, 6' × 7'. SCENIC ARTIST. SET DESIGNER AND DIRECTOR DESMOND HEELEY, ARTISTIC DIRECTOR RICHARD MONETTE.
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2009, STRATFORD FESTIVAL | AVON THEATRE; STRATFORD, ON. SCENIC PAINTING FOR THE MUSICAL COMEDY “A FUNNY THING HAPPENED ON THE WAY TO THE FORUM,” DRAWING FROM DORIC/IONIC GREEK ARCHITECTURAL MOTIFS. ACRYLIC MEDIUMS ON FREE-STANDING HARD SCENERY EXECUTED IN TROMP-L’ŒIL TECHNIQUE. SCENIC BACKDROP (BOTTOM RIGHT) INTERPRETING A CLASSICAL INTAGLIO DESIGN. SCENIC ARTIST. SET DESIGNER MICHAEL GIANFRANCESCO, ARTISTIC DIRECTOR ANTONI CIMOLINO.
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2008, STRATFORD FESTIVAL | FESTIVAL THEATRE (MAIN STAGE); STRATFORD, ON. PAINTED SCENIC BACKDROP FOR “ALL’S WELL THAT ENDS WELL”; A DOUBLE-SIDED, BACKLIT TRANSLUCENCY PAINTED TO PRODUCE A LUMINOUS, LAYERED EFFECT. SUPERSATURATED ACRYLIC MEDIUMS AND F.E.V. ON SIZED SCRIM. APPROX. 20'–24' (WIDTH) × 14'–18' (HEIGHT). SCENIC ARTIST. PRODUCTION DESIGNER CHRISTINA PODDUBIUK, ARTISTIC DIRECTOR DES McANUFF.
Photo Credit: (Top/Bottom Left) Personal collection, unpublished material (2008). (Bottom Right) Emsworth (2008). All’s Well That Ends Well [photograph of Daniela Vlaskalic as Helena and Jeff Lillico as Bertram]. Stratford Festival; Festival Archives.
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2018, STRATFORD FESTIVAL | FESTIVAL THEATRE (MAIN STAGE); STRATFORD, ON. PAINTED SCENIC ELEMENTS FOR M. WILLSON'S “THE MUSIC MAN”; TURN-OF-THE-CENTURY, SMALL-TOWN AMERICAN PERIOD SETTING. ARCHITECTURAL INTERIORS INCLUDE EXTENSIVE WOOD-GRAIN, MILLWORK, AND A STAGE FLOOR INCORPORATING A HIGHLY DETAILED PARQUET-STYLE WOOD TREATMENT. FRAMED WALLS WITH DIMENSIONAL TRIM, POSTS, RAILINGS, DOORS, AND WINDOW SURROUNDS INCLUDE SUBTLE GRAINING, VARIATIONS IN OPACITY AND EARTH-TONED SURFACE BUILD-UP TO ESTABLISH PERIOD CHARACTER/DEPTH. SCENIC ARTIST. SET DESIGNER, MICHAEL GIANFRANCESCO. ARTISTIC DIRECTOR, ANTONI CIMOLINO.
Photo Credit: Von Tiedemann, C. (2018). The Music Man [photographs]. Stratford Festival; Festival Archives.
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EXAMPLES OF FAUX FINISH SAMPLES FROM VARIOUS FILM, THEATRE, AND SCENIC ART PRODUCTIONS. SAMPLES REPRESENT A RANGE OF TECHNIQUES, MATERIALS, AND FINISHES EXECUTED ACROSS DIFFERENT PROJECTS. DATES AND PRODUCTIONS VARY.
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2009, COBALT STUDIOS; WHITE LAKE, NY. STUDY/SAMPLES OF CLASSICAL ARCHITECTURAL MOULDINGS; EXPLORING PROPORTION, ORNAMENT, AND DECORATIVE DETAIL. ACRYLIC ON CANVAS. APPROX. 4' X 5' /EA.
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2007, STRATFORD FESTIVAL | AVON THEATRE; STRATFORD, ON. PAINTED SCENERY AND FINAL SET FOR HARPER LEE'S "TO KILL A MOCKINGBIRD". WEATHERED WOOD GRAIN, AGED SIDING, AND FAUX-WOOD FINISHES DEVELOPED THROUGH LAYERED ACRYLIC AND OIL-BASED MEDIUMS, WASHES, DRY BRUSH, AND SCUMBLING. SCENIC ARTIST. PRODUCTION DESIGNER, CHARLOTTE DEAN. ARTISTIC DIRECTOR, RICHARD MONETTE.
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2011, STRATFORD FESTIVAL | AVON THEATRE; STRATFORD, ON. FINAL SET FOR THE DRAMATIC STAGE ADAPTATION AND PRODUCTION OF JOHN STEINBECK'S "GRAPES OF WRATH". WEATHERED WOOD SIDING, AGED SHUTTERS, DOORS, DECKING, FENCES, LATTICEWORK, AND OTHER SCENIC ELEMENTS DEVELOPED THROUGH VARIED SCENIC MEDIUMS/TECHNIQUES, INCLUDING SURFACE TEXTURES, VARIATIONS IN TONE, GRAIN, LAYERED WASHES, AND PATINA TO CREATE A WORN, RURAL ATMOSPHERE. SCENIC ARTIST. SET DESIGNER, JOHN ARNONE. ARTISTIC DIRECTOR, DES McANUFF.
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2011, STRATFORD FESTIVAL | STUDIO THEATRE; STRATFORD, ON. ANDREW LLOYD WEBBER'S ROCK OPERETTA PRODUCTION OF “JESUS CHRIST SUPERSTAR”. MULTI-SPAN RIGID FRAMES AND GRAPHIC LINEWORK FINISHED IN LAYERED GUNMETAL, METALLIC VARIATIONS, BURNISHED METALS, AND BLACK STEEL, USING FAUX-FINISH TECHNIQUES TO FORM HEAVY, INDUSTRIAL AND HIGH-CONTRASTING SURFACES. SCENIC ARTIST. ARTISTIC DIRECTOR/SET DESIGNER, DES MCANUFF.
Photo credit: Hou, D. (2011). Jesus Christ Superstar [Photographs]. Stratford Festival; Festival Archives.(Touring set also showcased at Neil Simon Theatre; Broadway, NY, as well as La Jolla Playhouse; La Jolla, CA.)
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2009, COBALT STUDIOS; WHITE LAKE, NY. GUILDING, AGING, WOOD GRAIN, STIPPLING, SIGNAGE, AND OTHER FAUX FINISH APPLIQUÉS. SCENIC PAINT (ACRYLIC), METALLIC FOIL, AND OIL VARNISHES. SCENIC STUDY (BOUNCE LIGHT, LOW LIGHT, HIGHLIGHT).
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2008, STRATFORD FESTIVAL | TOM PATTERSON THEATRE; STRATFORD, ON. A THEATRICAL ADAPTATION OF HERMAN MELVILLE'S “MOBY DICK”,
PAINTED SCENERY OF AN ELABORATE RIMMED COMPASS-ROSE DESIGN ON A STAGE FLOOR; CURVED STRUCTURAL RIBS AND AGED TIMBER. DRAPED PAINTED FABRIC TO SUGGEST TEXTURE, WEIGHT, AND FORM; INLAID MATERIALS AND WATER/OIL-BASED MEDIUMS. SCENIC ARTIST. SET DESIGNER, KEN MACDONALD. ARTISTIC DIRECTOR, DES MCANUFF.
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2008, STRATFORD FESTIVAL | FESTIVAL THEATRE (MAIN STAGE); STRATFORD, ON. SHAKESPEARE'S “ROMEO AND JULIET”. A MONOCHROMATIC COBBLESTONE STAGE TREATED WITH ACRYLIC/OIL BASED MEDIUMS, USING VARIATIONS IN VALUE, TEXTURE, AND PAINTED MASONRY DETAIL TO GIVE THE STAGE A WEIGHTED, STONE-LIKE QUALITY. SCENIC ARTIST. SET DESIGNER, HEIDI ETTINGER. ARTISTIC DIRECTOR, DES MCANUFF.
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2013, GRAND THEATRE | SPRIET STAGE; LONDON, ON. CHRISTMAS MUSICAL AND THEATRICAL PRODUCTION OF "ELF", BASED ON THE 2003 FILM WRITTEN BY D. BERENBAUM. PAINTED SCENERY & SHOW CURTAIN. BOLD GRAPHIC FLOOR AND FAUX-ORNAMENTAL/METALLIC FINISHES BUILT THROUGH FLAT COLOUR BLOCKING, CLEAN EDGES, AND REPETITIVE/ABSTRACT GEOMETRIC MOTIFS. SCENIC ARTIST. SET DESIGNER, BILL LAYTON. ARTISTIC DIRECTOR, SUSAN FERLEY.
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(LEFT) 2020, TRI-BRO STUDIOS; TORONTO, ON. HAND-PAINTED FAUX MARBLE USING VEINING, GLAZING, AND TONAL LAYERING; DISNEY+ FEATURE FILM "SNEAKERELLA", 2020. ASSISTANT HEAD SCENIC ARTIST. PRODUCTION DESIGNER, ELISA SAUVÉ. DIRECTOR, ELIZABETH ALLEN ROSENBAUM.
(RIGHT) 2008, STRATFORD FESTIVAL | FESTIVAL THEATRE (MAIN STAGE); STRATFORD, ON. SHAKESPEARE'S PRODUCTION OF "THE TAMING OF THE SHREW". RICHLY VARIED WOOD GRAIN AND AGE-TIMBERED STAGE FLOOR AND TRAP DOOR WITH ORNAMENTAL BORDER. SCENIC ARTIST. SET DESIGNER, SANTO LOQUASTO. ARTISTIC DIRECTOR, DES MCANUFF.
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2007, STRATFORD FESTIVAL | AVON THEATRE; STRATFORD, ON. SHAKESPEARE'S PRODUCTION OF "THE COMEDY OF ERRORS"; PAINTED SCENIC ELEMENTS FEATURING FAUX ARCHITECTURAL FINISHES, DECORATIVE BORDERS, AND TROMPE-L’ŒIL MODELLING. LAYERED COLOUR, SHADING, HIGHLIGHTING, AND GLAZING USED TO CREATE DEPTH, ORNAMENTAL DETAIL, AND THE APPEARANCE OF CLASSICAL ARCHITECTURAL RELIEF. SET DESIGNER, MICHAEL GIANFRANCESCO. ARTISTIC DIRECTOR, RICHARD MONETTE.
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2010, STRATFORD FESTIVAL | AVON THEATRE; STRATFORD, ON. TIM CARROLL'S MUSICAL PRODUCTION OF “PETER PAN”. FIGURATIVE ORNAMENTATION/IMAGERY OF PAINTED PEACOCKS AND LUMINOUS FOLIAGE MOTIFS BUILT THROUGH VARIED PIGMENTS, METALLIC M.M'S AND TRANSPARENT LAYERING. SCENIC ARTIST. PRODUCTION DESIGNER, CAROLYN SMITH. ARTISTIC DIRECTOR, DES McANUFF.
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2010, STRATFORD FESTIVAL | FESTIVAL THEATRE; STRATFORD, ON. PAINTED SCENIC ELEMENTS FOR SHAKESPEARE'S "THE TEMPEST". MINIMAL, HIGHLY SCULPTURAL SET WITH LARGE HORIZONTAL PLATFORMS FINISHED IN A DARK/RESTRAINED PALETTE WITH MUTED EARTH TONES, GREY-BROWN VALUES, AND VARIATIONS IN OPACITY TO REFLECT DRAMATIC LIGHTING. STRONG HORIZONTAL PLATFORMS CREATE AN OPEN, MULTI-LEVEL PLAYING STAGE/SPACE FOR LARGE PAINTED PROPS TREATED WITH DARK, WEATHERED FINISHES, DISTRESSING, AGED SURFACES, GLAZING, SELECTIVE HIGHLIGHTING AND OTHER CUSTOM FINISHES. SCENIC ARTIST. SET DESIGNER, ROBERT BRILL. DIRECTOR/ ARTISTIC DIRECTOR, DES McANUFF.
Photo credit: Hou, D. (2010). The Tempest [Photographs; Christopher Plummer as Prospero]. Stratford Festival; Festival Archives.
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2008, STRATFORD FESTIVAL | AVON THEATRE; STRATFORD, ONTARIO. MUSICAL PRODUCTION OF “CABARET”. MULTI-LAYERED FAUX FINISH SURFACES AND TEXTURAL BUILD-UP IN A VARIETY OF MEDIUMS. HEAVILY DISTRESSED AGEING AND OXIDIZED METAL EFFECTS TO CREATE THE APPEARANCE OF WEATHERED MASONRY AND CORRODED IRONWORK. SCENIC ARTIST. SET DESIGNER, DOUGLAS PARASCHUK. ARTISTIC DIRECTOR, DES McANUFF.
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2008, STRATFORD FESTIVAL | STUDIO THEATRE; STRATFORD, ONTARIO. PRODUCTION OF “CAESAR AND CLEOPATRA” (CLASSICAL TRAGEDY); VARIOUS PAINTED/SCULPTED SCENIC ELEMENTS INCLUDING FAUX-MASONRY AND AGED-STONE FINISHES WITH A HIGH-GLOSS GRAPHIC STAGE FLOOR. SCENIC ARTIST. SET DESIGNER, ROBERT BRILL. ARTISTIC DIRECTOR, DES McANUFF.
(Top photograph) Personal collection; unpublished material (2008). (Bottom five) Photo credit: Hou, D. (2008). Caesar and Cleopatra [Photographs; Christopher Plummer as Caesar, and Nikki M. James as Cleopatra]. Stratford Festival; Festival Archives.
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2015, STRATFORD FESTIVAL | AVON THEATRE; STRATFORD, ONTARIO. CONTEMPORARY ADAPTATION OF "THE DIARY OF ANNE FRANK". THE SET USED AN OPEN FRAMEWORK SYSTEM OF HORIZONTAL WOODEN SLATS TREATED TO RETAIN A NATURAL, WEATHERED APPEARANCE AND TO CREATE A FLEXIBLE, MULTI-LEVEL ENVIRONMENT. BUILT AROUND WARM VARIATIONS OF MUTED BROWNS/OCHRE TONES AND WEATHERED PROPS & SURFACES. A RESTRICTED PALETTE CREATES A CONFINED ATMOSPHERE, WHILE THE DARK SPACES IN BETWEEN SLATS ADD DEPTH/EMPHASIS. SET DESIGNER, BRETTA GERECKE. ARTISTIC DIRECTOR, ANTONI CIMOLINO.
Photo credit: Hou, D. (2015). The Diary of Anne Frank [Photographs; Sara Farb as Anne Frank]. Stratford Festival; Festival Archives.
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2018, STRATFORD FESTIVAL | AVON THEATRE; STRATFORD, ON. SHAKESPEARE'S PRODUCTION OF "CORIOLANUS"
INCLUDE LARGE-SCALE ARCHITECTURAL WALL SYSTEMS, ROMAN MASONRY & FORMAL/INSTITUTIONAL INTERIORS. TALL RECESSED PANELS FEATURE ELABORATE ORNAMENTAL MOULDINGS/CLASSICAL BORDERS, FAUX MARBLE AND STONE-LIKE PAINTED SURFACES. CLOUDY TONAL VARIATION, MUTED GREY, CREAM, TAUPE AND VERDIGRIS HELP HIGHLIGHT EXTENSIVE PROJECTIONS & CREATE THE ILLUSION OF CARVED ARCHITECTURAL RELIEF. LARGE VERTICAL PROPORTIONS EMPHASIZE A SMALLER HUMAN SCALE. SCENIC ARTIST. PRODUCTION DESIGNER/DIRECTOR ROBERT LEPAGE. ARTISTIC DIRECTOR ANTONI CIMOLINO.
Photo Credit: Hou, D., & Stang, C. (2018). Coriolanus [Photographs; André Sills as Coriolanus]. The Garden. VYV. Stratford Festival; Festival Archives.
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2018, STRATFORD FESTIVAL | AVON THEATRE; STRATFORD, ONTARIO. PRODUCTION OF CULT CLASSIC/MUSICAL “ROCKY HORROR SHOW”; STRONG USE OF DARK, 1960s/70s INDUSTRIAL-MECHANICAL SCENIC SETTING. ARCHITECTURE BUILT FROM EXPOSED DARK BRICK WALLS, HEAVY FRAMING, DISTRESSED MASONRY, HORIZONTAL/VERTICAL STRUCTURAL ELEMENTS, AND DELIBERATELY SYMMETRIC AND HIGHLY GRAPHIC IMAGERY/MOTIFS. PAINTED METAL, PATINA, GRIME, OXIDATION, AND CONTROLLED DISTRESSING; USE OF DEEP, DARK COLOURS WITH MM METALLICS, HIGHLY SATURATED FEV'S, CASEIN, OIL-BASED AND MIXED MEDIA. A BLACK SCENIC FLOOR WITH A WORN, MOTTLED SURFACE, LAYERED TONAL VARIATION/METALLIC SCUMBLE, IN A HIGH-GLOSS FINISH. SCENIC ARTIST. SET DESIGNER, MICHAEL GIANFRANCESCO. ARTISTIC DIRECTOR, ANTONI CIMOLINO.
Photo Credit: Von Tiedemann, C. (2018). The Rocky Horror Show [photographs; Dan Chamery as Frank N. Furter; Jennifer Rider-Shaw as Janet]. Stratford Festival; Festival Archives.
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2014, STRATFORD FESTIVAL | TOM PATTERSON THEATRE; STRATFORD, ONTARIO. PRODUCTION OF “ANTONY AND CLEOPATRA”. SPARSE, ARCHITECTURAL AND SYMBOLIC SET; CARTOUCHE-SHAPED RAISED FLOOR/PLATFORM WITH SCULPTED/PAINTED HIEROGLYPHIC SURFACING. AGED STONE FINISH, AND OTHER PAINTED SCENIC ELEMENTS. SCENIC ARTIST. SET DESIGNER, CHARLOTTE DEAN. ARTISTIC DIRECTOR, ANTONI CIMOLINO.
Photo credit: Hou, D. (2014). Antony and Cleopatra [Photographs; Geraint Wyn Davies as Mark Antony, Yanna McIntosh as Cleopatra]. Stratford Festival; Festival Archives.
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2018, STRATFORD FESTIVAL | FESTIVAL THEATRE (MAIN STAGE); STRATFORD, ON. SHAKESPEARE'S PRODUCTION OF "THE TEMPEST"; AN ORGANIC, SCULPTURAL LANDSCAPE OF EXPOSED ROOT SYSTEMS, TWISTED BRANCHES AND WEATHERED WOOD-LIKE FORMS. IRREGULAR, INTERLACING STRUCTURES TREATED WITH LAYERED EARTH-TONED GLAZES, WEATHERING, TONAL VARIATION, AND TEXTILE BUILD-UP TO CREATE VISUAL DEPTH AND DIMENSIONALITY; A PREDOMINANTLY DARK AND SUBDUED COLOUR PALETTE TO RESPOND TO WARM, SUPERSATURATED LIGHTING & PROJECTIONS. SCENIC ARTIST. SET DESIGNER, BRETTA GERECKE. ARTISTIC DIRECTOR, ANTONI CIMOLINO.
Photo credit: Hou, D. (2018). The Tempest [Photographs; Martha Henry as Prospero]. Stratford Festival; Festival Archives.
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2018, STRATFORD FESTIVAL | FESTIVAL THEATRE (MAIN STAGE); STRATFORD, ON. SHAKESPEARE'S PRODUCTION OF "THE TEMPEST"; AN ORGANIC, SCULPTURAL LANDSCAPE OF EXPOSED ROOT SYSTEMS, TWISTED BRANCHES AND WEATHERED WOOD-LIKE FORMS. IRREGULAR, INTERLACING STRUCTURES TREATED WITH LAYERED EARTH-TONED GLAZES, WEATHERING, TONAL VARIATION, AND TEXTILE BUILD-UP TO CREATE VISUAL DEPTH AND DIMENSIONALITY; A PREDOMINANTLY DARK AND SUBDUED COLOUR PALETTE TO RESPOND TO WARM, SUPERSATURATED LIGHTING & PROJECTIONS. SCENIC ARTIST. SET DESIGNER, BRETTA GERECKE. ARTISTIC DIRECTOR, ANTONI CIMOLINO.
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2018, STRATFORD FESTIVAL | FESTIVAL THEATRE (MAIN STAGE); STRATFORD, ON. SHAKESPEARE'S PRODUCTION OF "THE TEMPEST"; AN ORGANIC, SCULPTURAL LANDSCAPE OF EXPOSED ROOT SYSTEMS, TWISTED BRANCHES AND WEATHERED WOOD-LIKE FORMS. IRREGULAR, INTERLACING STRUCTURES TREATED WITH LAYERED EARTH-TONED GLAZES, WEATHERING, TONAL VARIATION, AND TEXTILE BUILD-UP TO CREATE VISUAL DEPTH AND DIMENSIONALITY; A PREDOMINANTLY DARK AND SUBDUED COLOUR PALETTE TO RESPOND TO WARM, SUPERSATURATED LIGHTING & PROJECTIONS. SCENIC ARTIST. SET DESIGNER, BRETTA GERECKE. ARTISTIC DIRECTOR, ANTONI CIMOLINO.
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2018, STRATFORD FESTIVAL | FESTIVAL THEATRE (MAIN STAGE); STRATFORD, ON. SHAKESPEARE'S PRODUCTION OF "THE TEMPEST"; AN ORGANIC, SCULPTURAL LANDSCAPE OF EXPOSED ROOT SYSTEMS, TWISTED BRANCHES AND WEATHERED WOOD-LIKE FORMS. IRREGULAR, INTERLACING STRUCTURES TREATED WITH LAYERED EARTH-TONED GLAZES, WEATHERING, TONAL VARIATION, AND TEXTILE BUILD-UP TO CREATE VISUAL DEPTH AND DIMENSIONALITY; A PREDOMINANTLY DARK AND SUBDUED COLOUR PALETTE TO RESPOND TO WARM, SUPERSATURATED LIGHTING & PROJECTIONS. SCENIC ARTIST. SET DESIGNER, BRETTA GERECKE. ARTISTIC DIRECTOR, ANTONI CIMOLINO.
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2018, STRATFORD FESTIVAL | FESTIVAL THEATRE (MAIN STAGE); STRATFORD, ON. SHAKESPEARE'S PRODUCTION OF "THE TEMPEST"; AN ORGANIC, SCULPTURAL LANDSCAPE OF EXPOSED ROOT SYSTEMS, TWISTED BRANCHES AND WEATHERED WOOD-LIKE FORMS. IRREGULAR, INTERLACING STRUCTURES TREATED WITH LAYERED EARTH-TONED GLAZES, WEATHERING, TONAL VARIATION, AND TEXTILE BUILD-UP TO CREATE VISUAL DEPTH AND DIMENSIONALITY; A PREDOMINANTLY DARK AND SUBDUED COLOUR PALETTE TO RESPOND TO WARM, SUPERSATURATED LIGHTING & PROJECTIONS. SCENIC ARTIST. SET DESIGNER, BRETTA GERECKE. ARTISTIC DIRECTOR, ANTONI CIMOLINO.
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2018, STRATFORD FESTIVAL | FESTIVAL THEATRE (MAIN STAGE); STRATFORD, ON. SHAKESPEARE'S PRODUCTION OF "THE TEMPEST"; AN ORGANIC, SCULPTURAL LANDSCAPE OF EXPOSED ROOT SYSTEMS, TWISTED BRANCHES AND WEATHERED WOOD-LIKE FORMS. IRREGULAR, INTERLACING STRUCTURES TREATED WITH LAYERED EARTH-TONED GLAZES, WEATHERING, TONAL VARIATION, AND TEXTILE BUILD-UP TO CREATE VISUAL DEPTH AND DIMENSIONALITY; A PREDOMINANTLY DARK AND SUBDUED COLOUR PALETTE TO RESPOND TO WARM, SUPERSATURATED LIGHTING & PROJECTIONS. SCENIC ARTIST. SET DESIGNER, BRETTA GERECKE. ARTISTIC DIRECTOR, ANTONI CIMOLINO.
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SCENIC ART - Film
2008, STRATFORD FESTIVAL | FESTIVAL THEATRE (MAIN STAGE); STRATFORD, ON. PAINTED SCENIC BACKDROP FOR “ALL’S WELL THAT ENDS WELL”; A DOUBLE-SIDED, BACKLIT TRANSLUCENCY PAINTED TO PRODUCE A LUMINOUS, LAYERED EFFECT. SUPERSATURATED ACRYLIC MEDIUMS AND F.E.V. ON SIZED SCRIM. APPROX. 20'–24' (WIDTH) × 14'–18' (HEIGHT). SCENIC ARTIST. PRODUCTION DESIGNER CHRISTINA PODDUBIUK, ARTISTIC DIRECTOR DES McANUFF.
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2008, STRATFORD FESTIVAL | FESTIVAL THEATRE (MAIN STAGE); STRATFORD, ON. PAINTED SCENIC BACKDROP FOR “ALL’S WELL THAT ENDS WELL”; A DOUBLE-SIDED, BACKLIT TRANSLUCENCY PAINTED TO PRODUCE A LUMINOUS, LAYERED EFFECT. SUPERSATURATED ACRYLIC MEDIUMS AND F.E.V. ON SIZED SCRIM. APPROX. 20'–24' (WIDTH) × 14'–18' (HEIGHT). SCENIC ARTIST. PRODUCTION DESIGNER CHRISTINA PODDUBIUK, ARTISTIC DIRECTOR DES McANUFF.
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2008, STRATFORD FESTIVAL | FESTIVAL THEATRE (MAIN STAGE); STRATFORD, ON. PAINTED SCENIC BACKDROP FOR “ALL’S WELL THAT ENDS WELL”; A DOUBLE-SIDED, BACKLIT TRANSLUCENCY PAINTED TO PRODUCE A LUMINOUS, LAYERED EFFECT. SUPERSATURATED ACRYLIC MEDIUMS AND F.E.V. ON SIZED SCRIM. APPROX. 20'–24' (WIDTH) × 14'–18' (HEIGHT). SCENIC ARTIST. PRODUCTION DESIGNER CHRISTINA PODDUBIUK, ARTISTIC DIRECTOR DES McANUFF.
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2008, STRATFORD FESTIVAL | FESTIVAL THEATRE (MAIN STAGE); STRATFORD, ON. PAINTED SCENIC BACKDROP FOR “ALL’S WELL THAT ENDS WELL”; A DOUBLE-SIDED, BACKLIT TRANSLUCENCY PAINTED TO PRODUCE A LUMINOUS, LAYERED EFFECT. SUPERSATURATED ACRYLIC MEDIUMS AND F.E.V. ON SIZED SCRIM. APPROX. 20'–24' (WIDTH) × 14'–18' (HEIGHT). SCENIC ARTIST. PRODUCTION DESIGNER CHRISTINA PODDUBIUK, ARTISTIC DIRECTOR DES McANUFF.
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2008, STRATFORD FESTIVAL | FESTIVAL THEATRE (MAIN STAGE); STRATFORD, ON. PAINTED SCENIC BACKDROP FOR “ALL’S WELL THAT ENDS WELL”; A DOUBLE-SIDED, BACKLIT TRANSLUCENCY PAINTED TO PRODUCE A LUMINOUS, LAYERED EFFECT. SUPERSATURATED ACRYLIC MEDIUMS AND F.E.V. ON SIZED SCRIM. APPROX. 20'–24' (WIDTH) × 14'–18' (HEIGHT). SCENIC ARTIST. PRODUCTION DESIGNER CHRISTINA PODDUBIUK, ARTISTIC DIRECTOR DES McANUFF.
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2008, STRATFORD FESTIVAL | FESTIVAL THEATRE (MAIN STAGE); STRATFORD, ON. PAINTED SCENIC BACKDROP FOR “ALL’S WELL THAT ENDS WELL”; A DOUBLE-SIDED, BACKLIT TRANSLUCENCY PAINTED TO PRODUCE A LUMINOUS, LAYERED EFFECT. SUPERSATURATED ACRYLIC MEDIUMS AND F.E.V. ON SIZED SCRIM. APPROX. 20'–24' (WIDTH) × 14'–18' (HEIGHT). SCENIC ARTIST. PRODUCTION DESIGNER CHRISTINA PODDUBIUK, ARTISTIC DIRECTOR DES McANUFF.
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2008, STRATFORD FESTIVAL | FESTIVAL THEATRE (MAIN STAGE); STRATFORD, ON. PAINTED SCENIC BACKDROP FOR “ALL’S WELL THAT ENDS WELL”; A DOUBLE-SIDED, BACKLIT TRANSLUCENCY PAINTED TO PRODUCE A LUMINOUS, LAYERED EFFECT. SUPERSATURATED ACRYLIC MEDIUMS AND F.E.V. ON SIZED SCRIM. APPROX. 20'–24' (WIDTH) × 14'–18' (HEIGHT). SCENIC ARTIST. PRODUCTION DESIGNER CHRISTINA PODDUBIUK, ARTISTIC DIRECTOR DES McANUFF.
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2008, STRATFORD FESTIVAL | FESTIVAL THEATRE (MAIN STAGE); STRATFORD, ON. PAINTED SCENIC BACKDROP FOR “ALL’S WELL THAT ENDS WELL”; A DOUBLE-SIDED, BACKLIT TRANSLUCENCY PAINTED TO PRODUCE A LUMINOUS, LAYERED EFFECT. SUPERSATURATED ACRYLIC MEDIUMS AND F.E.V. ON SIZED SCRIM. APPROX. 20'–24' (WIDTH) × 14'–18' (HEIGHT). SCENIC ARTIST. PRODUCTION DESIGNER CHRISTINA PODDUBIUK, ARTISTIC DIRECTOR DES McANUFF.
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2008, STRATFORD FESTIVAL | FESTIVAL THEATRE (MAIN STAGE); STRATFORD, ON. PAINTED SCENIC BACKDROP FOR “ALL’S WELL THAT ENDS WELL”; A DOUBLE-SIDED, BACKLIT TRANSLUCENCY PAINTED TO PRODUCE A LUMINOUS, LAYERED EFFECT. SUPERSATURATED ACRYLIC MEDIUMS AND F.E.V. ON SIZED SCRIM. APPROX. 20'–24' (WIDTH) × 14'–18' (HEIGHT). SCENIC ARTIST. PRODUCTION DESIGNER CHRISTINA PODDUBIUK, ARTISTIC DIRECTOR DES McANUFF.
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2008, STRATFORD FESTIVAL | FESTIVAL THEATRE (MAIN STAGE); STRATFORD, ON. PAINTED SCENIC BACKDROP FOR “ALL’S WELL THAT ENDS WELL”; A DOUBLE-SIDED, BACKLIT TRANSLUCENCY PAINTED TO PRODUCE A LUMINOUS, LAYERED EFFECT. SUPERSATURATED ACRYLIC MEDIUMS AND F.E.V. ON SIZED SCRIM. APPROX. 20'–24' (WIDTH) × 14'–18' (HEIGHT). SCENIC ARTIST. PRODUCTION DESIGNER CHRISTINA PODDUBIUK, ARTISTIC DIRECTOR DES McANUFF.
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TECHNICAL DRAWINGS
2008, STRATFORD FESTIVAL | FESTIVAL THEATRE (MAIN STAGE); STRATFORD, ON. PAINTED SCENIC BACKDROP FOR “ALL’S WELL THAT ENDS WELL”; A DOUBLE-SIDED, BACKLIT TRANSLUCENCY PAINTED TO PRODUCE A LUMINOUS, LAYERED EFFECT. SUPERSATURATED ACRYLIC MEDIUMS AND F.E.V. ON SIZED SCRIM. APPROX. 20'–24' (WIDTH) × 14'–18' (HEIGHT). SCENIC ARTIST. PRODUCTION DESIGNER CHRISTINA PODDUBIUK, ARTISTIC DIRECTOR DES McANUFF.
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2008, STRATFORD FESTIVAL | FESTIVAL THEATRE (MAIN STAGE); STRATFORD, ON. PAINTED SCENIC BACKDROP FOR “ALL’S WELL THAT ENDS WELL”; A DOUBLE-SIDED, BACKLIT TRANSLUCENCY PAINTED TO PRODUCE A LUMINOUS, LAYERED EFFECT. SUPERSATURATED ACRYLIC MEDIUMS AND F.E.V. ON SIZED SCRIM. APPROX. 20'–24' (WIDTH) × 14'–18' (HEIGHT). SCENIC ARTIST. PRODUCTION DESIGNER CHRISTINA PODDUBIUK, ARTISTIC DIRECTOR DES McANUFF.
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2008, STRATFORD FESTIVAL | FESTIVAL THEATRE (MAIN STAGE); STRATFORD, ON. PAINTED SCENIC BACKDROP FOR “ALL’S WELL THAT ENDS WELL”; A DOUBLE-SIDED, BACKLIT TRANSLUCENCY PAINTED TO PRODUCE A LUMINOUS, LAYERED EFFECT. SUPERSATURATED ACRYLIC MEDIUMS AND F.E.V. ON SIZED SCRIM. APPROX. 20'–24' (WIDTH) × 14'–18' (HEIGHT). SCENIC ARTIST. PRODUCTION DESIGNER CHRISTINA PODDUBIUK, ARTISTIC DIRECTOR DES McANUFF.
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PERSONAL WORK
2003; ESCUELA BELLAS ARTES; VINA DEL MAR, CHILE. SCULPTING A HIGH-RELIEF CLAY AND PLASTER CASTING INTAGLIO SCULPTURE; INSPIRED BY THE VENUS DE MILO WITH HELLENISTIC AND GREEK INFLUENCES.
2020; STRATFORD, ON. A SERIES OF NFT COLLECTIONS, ENTITLED "THE COMING OF NINE 1/4", TOKKEN SERIES 1A. ORIGINAL DRAWING (SKETCHUP). STYLIZED FIGURATIVE PORTRAIT; GESTURATIVE LINEWORK IN A HIGH-CONTRAST PALETTE.
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2020; STRATFORD, ON. A SERIES OF NFT COLLECTIONS, ENTITLED "ELE COLETO 1/5", TOKKEN SERIES 1B. ORIGINAL DIGITAL DRAWING (SKETCHUP). EXPRESSIVE FIGURATIVE PORTRAIT, COLOUR BLOCKING WITH LINEAR PATTERNS AND DISPLACED GEOMETRIC FRAGMENTS. SYMBOLIC DIGITAL TOTEMS (GUARDIAN FIGURES) CONTRAST WITH THE CENTRAL FIGURE.
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2020; STRATFORD, ON. A SERIES OF NFT COLLECTIONS, ENTITLED "THE COMING OF NINE 2/4", TOKKEN SERIES 1B. ORIGINAL DIGITAL DRAWING (SKETCHUP). EXPRESSIVE FIGURATIVE PORTRAIT/STUDY; A COMPOSITION OF A THREE-QUARTER PROFILE THROUGH LAYERED TEXTURE, SOFT TRANSITIONS, AND EXPRESSIVE MARK-MAKING (FIRST INTERPRETATION).
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2020; STRATFORD, ON. A SERIES OF NFT COLLECTIONS, ENTITLED "THE COMING OF NINE 3/4", TOKKEN SERIES 1B. ORIGINAL DIGITAL DRAWING (SKETCHUP). A SECOND INTERPRETATION OF AN EXPRESSIVE FIGURATIVE PORTRAIT/STUDY PRESENTED IN THREE-QUARTER VIEW (SECOND DEVELOPMENT).
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2020; STRATFORD, ON. A SERIES OF NFT COLLECTIONS, ENTITLED "THE COMING OF NINE 4/4", TOKKEN SERIES 1C. ORIGINAL DIGITAL DRAWING (SKETCHUP). A PROGRESSIVE STUDY/REINTERPRETATION OF AN EXPRESSIVE FIGURATIVE PORTRAIT/STUDY PRESENTED IN THREE-QUARTER VIEW (THIRD DEVELOPMENT).
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2008, STRATFORD FESTIVAL | FESTIVAL THEATRE (MAIN STAGE); STRATFORD, ON. PAINTED SCENIC BACKDROP FOR “ALL’S WELL THAT ENDS WELL”; A DOUBLE-SIDED, BACKLIT TRANSLUCENCY PAINTED TO PRODUCE A LUMINOUS, LAYERED EFFECT. SUPERSATURATED ACRYLIC MEDIUMS AND F.E.V. ON SIZED SCRIM. APPROX. 20'–24' (WIDTH) × 14'–18' (HEIGHT). SCENIC ARTIST. PRODUCTION DESIGNER CHRISTINA PODDUBIUK, ARTISTIC DIRECTOR DES McANUFF.
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2008, STRATFORD FESTIVAL | FESTIVAL THEATRE (MAIN STAGE); STRATFORD, ON. PAINTED SCENIC BACKDROP FOR “ALL’S WELL THAT ENDS WELL”; A DOUBLE-SIDED, BACKLIT TRANSLUCENCY PAINTED TO PRODUCE A LUMINOUS, LAYERED EFFECT. SUPERSATURATED ACRYLIC MEDIUMS AND F.E.V. ON SIZED SCRIM. APPROX. 20'–24' (WIDTH) × 14'–18' (HEIGHT). SCENIC ARTIST. PRODUCTION DESIGNER CHRISTINA PODDUBIUK, ARTISTIC DIRECTOR DES McANUFF.
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2008, STRATFORD FESTIVAL | FESTIVAL THEATRE (MAIN STAGE); STRATFORD, ON. PAINTED SCENIC BACKDROP FOR “ALL’S WELL THAT ENDS WELL”; A DOUBLE-SIDED, BACKLIT TRANSLUCENCY PAINTED TO PRODUCE A LUMINOUS, LAYERED EFFECT. SUPERSATURATED ACRYLIC MEDIUMS AND F.E.V. ON SIZED SCRIM. APPROX. 20'–24' (WIDTH) × 14'–18' (HEIGHT). SCENIC ARTIST. PRODUCTION DESIGNER CHRISTINA PODDUBIUK, ARTISTIC DIRECTOR DES McANUFF.
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2008, STRATFORD FESTIVAL | FESTIVAL THEATRE (MAIN STAGE); STRATFORD, ON. PAINTED SCENIC BACKDROP FOR “ALL’S WELL THAT ENDS WELL”; A DOUBLE-SIDED, BACKLIT TRANSLUCENCY PAINTED TO PRODUCE A LUMINOUS, LAYERED EFFECT. SUPERSATURATED ACRYLIC MEDIUMS AND F.E.V. ON SIZED SCRIM. APPROX. 20'–24' (WIDTH) × 14'–18' (HEIGHT). SCENIC ARTIST. PRODUCTION DESIGNER CHRISTINA PODDUBIUK, ARTISTIC DIRECTOR DES McANUFF.
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2008, STRATFORD FESTIVAL | FESTIVAL THEATRE (MAIN STAGE); STRATFORD, ON. PAINTED SCENIC BACKDROP FOR “ALL’S WELL THAT ENDS WELL”; A DOUBLE-SIDED, BACKLIT TRANSLUCENCY PAINTED TO PRODUCE A LUMINOUS, LAYERED EFFECT. SUPERSATURATED ACRYLIC MEDIUMS AND F.E.V. ON SIZED SCRIM. APPROX. 20'–24' (WIDTH) × 14'–18' (HEIGHT). SCENIC ARTIST. PRODUCTION DESIGNER CHRISTINA PODDUBIUK, ARTISTIC DIRECTOR DES McANUFF.
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2008, STRATFORD FESTIVAL | FESTIVAL THEATRE (MAIN STAGE); STRATFORD, ON. PAINTED SCENIC BACKDROP FOR “ALL’S WELL THAT ENDS WELL”; A DOUBLE-SIDED, BACKLIT TRANSLUCENCY PAINTED TO PRODUCE A LUMINOUS, LAYERED EFFECT. SUPERSATURATED ACRYLIC MEDIUMS AND F.E.V. ON SIZED SCRIM. APPROX. 20'–24' (WIDTH) × 14'–18' (HEIGHT). SCENIC ARTIST. PRODUCTION DESIGNER CHRISTINA PODDUBIUK, ARTISTIC DIRECTOR DES McANUFF.
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2008, STRATFORD FESTIVAL | FESTIVAL THEATRE (MAIN STAGE); STRATFORD, ON. PAINTED SCENIC BACKDROP FOR “ALL’S WELL THAT ENDS WELL”; A DOUBLE-SIDED, BACKLIT TRANSLUCENCY PAINTED TO PRODUCE A LUMINOUS, LAYERED EFFECT. SUPERSATURATED ACRYLIC MEDIUMS AND F.E.V. ON SIZED SCRIM. APPROX. 20'–24' (WIDTH) × 14'–18' (HEIGHT). SCENIC ARTIST. PRODUCTION DESIGNER CHRISTINA PODDUBIUK, ARTISTIC DIRECTOR DES McANUFF.
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